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Ethereal producer beats
Ethereal has been killing it in the underground for some time now — with solo projects known for chill soundscapes — and also as half of the lesser known 8-bit duo Optimus Pikachu. Mark my words: We'll be hearing big things from Ethereal in the near future, things that could turn a page in Atlanta's hip-hop scene.
For a taste of what he has in store, check out the single "In My Honor" available for free download on bandcamp. Apparently, Yelawolf has been keeping extra busy lately as the head of Slumerican Records. The roster, which includes Prefix favorite Rittz, has been expanded to include Atlanta-based rapper-producer Ethereal.
Fans of the city's DIY rap-realm have been hearing his spacey, psychedelic beats and blunted bars for a little while now. But now it appears that the rest of the country and world is about to catch on. Ethereal is readying his full-length Slumerican debut, Abstractica, for release this June. And it's set to include some pretty killer features. In wrestling they have this audition process where everybody sits down and they try to find your gimmick.
And with Mick Foley, his gimmick was, you know, he was like this fat, goofy-looking white dude, but he was a very great athlete. So Vince McMahon decided to put this, like, ugly-ass mask on his face — which is gonna be my album cover — but they put that mask on his face to pretty much symbolize, like, Oh, you're this goofy-looking dude, let's give you a goofy gimmick.
And Mick Foley ended up being one of the greatest wrestlers of all time, solely because he would actually go out and get hit with a chair in the head, or get his ear ripped off, or fall 20 feet from the top of a cage. When I started working on Mankind, I realized his audition story, and the way he came into wrestling and just became this force that everybody loved, even as goofy as he was, really resonated with my work and the album. The Tweets have since been deleted, but, what spurred them?
Definitely — I deleted them because I was like, I shouldn't explain that on Twitter, I should wait until I get the proper outlet through an interview to really explain myself. It had to do a bit with racism and ableism in the industry. With the racism aspect, I feel like I'm expected to rap and create things about certain shit that the rest of the world is. I think it's that people are acting things out to look the part, whereas I've done all of it, and I don't want to rap about that stuff.
In my heart I'm like, Yeah, I wanna put out a jungle album. But it's like, I'm from Atlanta, GA. How are people going to receive this? Is it gonna get the same exposure that my rapping would? When I rap — rapping is so easy to me and it's become something that I do to generate finances, honestly. But production, that's another thing. I feel like I can actually be myself in production and it will resonate with people, whereas if I try to be myself in rapping, people are like, Oh, what the fuck is this dude talking about.
Like there was a time I had to prove my gangster and my street cred to people, until I realized who I was and I was like — like I said, I've done these things that people rap about, I don't feel the need to press it. It'll come out in my character. Honestly sometimes I forget I have [Sacral Agenesis] and I more so just feel like this, different being. People will realize, This motherfucker's not playing around, he's actually what he says he is.
That's why I've taken so long to do pretty much anything, is because when I present something, I want to hit every corner that I need to hit. I'm working on a tour right now, and most people are probably like, How does a disabled artist perform or what do they do? But I know that if I just do them, I can be one of the first people to break out and shed light on the actual differences of the world.
I can imagine that really impacts the work you put out in the world. We've always just wanted to, like, show people how to be you. You don't have to go buy designer clothes and go to these parties and do all this shit. Make your own clothes, throw your own parties, do your own shit. I'd like to think that we've been a pretty cool influence in that way. People being themselves, people dyeing their hair the way they want, dancing the way they want.
I know for me, personally, that's my main focus too, is to just show people.
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We used to watch wrestling all the time, just on some like, We're drinking and smoking and shit's funny while we're making beats. But I realized that we grew up in a generation where, like, you couldn't really distinguish if the wrestling was fake or not. I mean everybody knew it was, but there were certain elements of it that were real. In wrestling they have this audition process where everybody sits down and they try to find your gimmick. And with Mick Foley, his gimmick was, you know, he was like this fat, goofy-looking white dude, but he was a very great athlete.
So Vince McMahon decided to put this, like, ugly-ass mask on his face — which is gonna be my album cover — but they put that mask on his face to pretty much symbolize, like, Oh, you're this goofy-looking dude, let's give you a goofy gimmick.
And Mick Foley ended up being one of the greatest wrestlers of all time, solely because he would actually go out and get hit with a chair in the head, or get his ear ripped off, or fall 20 feet from the top of a cage. When I started working on Mankind, I realized his audition story, and the way he came into wrestling and just became this force that everybody loved, even as goofy as he was, really resonated with my work and the album.
The Tweets have since been deleted, but, what spurred them? Definitely — I deleted them because I was like, I shouldn't explain that on Twitter, I should wait until I get the proper outlet through an interview to really explain myself. It had to do a bit with racism and ableism in the industry. With the racism aspect, I feel like I'm expected to rap and create things about certain shit that the rest of the world is.
I think it's that people are acting things out to look the part, whereas I've done all of it, and I don't want to rap about that stuff. In my heart I'm like, Yeah, I wanna put out a jungle album. But it's like, I'm from Atlanta, GA. How are people going to receive this? Is it gonna get the same exposure that my rapping would?
When I rap — rapping is so easy to me and it's become something that I do to generate finances, honestly. But production, that's another thing. I feel like I can actually be myself in production and it will resonate with people, whereas if I try to be myself in rapping, people are like, Oh, what the fuck is this dude talking about. Like there was a time I had to prove my gangster and my street cred to people, until I realized who I was and I was like — like I said, I've done these things that people rap about, I don't feel the need to press it.
It'll come out in my character. Honestly sometimes I forget I have [Sacral Agenesis] and I more so just feel like this, different being. People will realize, This motherfucker's not playing around, he's actually what he says he is. That's why I've taken so long to do pretty much anything, is because when I present something, I want to hit every corner that I need to hit.
I'm working on a tour right now, and most people are probably like, How does a disabled artist perform or what do they do? But I know that if I just do them, I can be one of the first people to break out and shed light on the actual differences of the world. I can imagine that really impacts the work you put out in the world. We've always just wanted to, like, show people how to be you. You don't have to go buy designer clothes and go to these parties and do all this shit.
Make your own clothes, throw your own parties, do your own shit.
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\In more ways than one, actually.
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| Online in play betting australia | Video game music, anime soundtracks, stuff like that have kind of always followed me. In wrestling they have this audition ethereal producer beats where everybody sits down and they try to find your gimmick. With seven artist albums under his belt, and switching between rapping, producing, and songwriting with ease, Ethereal feels he has nothing to prove. And Mick Foley ended up being one of the greatest wrestlers of all time, solely because he would actually go out and get hit with a chair in the head, or get his ear ripped off, or fall 20 feet from the top of a cage. And when I opened the dictionary the first word that I picked was "Ethereal": Something otherworldly, too delicate for this place. Honestly sometimes I forget I have [Sacral Agenesis] and I more so just feel like this, different being. All the backpack stuff, all the classic stuff. |
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